Sunday January 12th
Dear Victor.
Thank you for your reply to my text. Last Sunday was only my third day at Flux Factory. While I was writing, it felt like my jetlag had returned. In Brooklyn I had a whole apartment to myself and most of the time it was really quiet, almost too quiet for a city like New York. So it was really strange to move in at Flux and suddenly be around a lot of people. My studio is next to the kitchen, which is the biggest space we share, so it gets quite noisy easily and there's a lot of distractions. It's not just fragments from the other residents talks and discussions, that goes trough my walls. There's a ventilation duct in my studio. It's connected to the kitchen in some way. It makes heavy noices when people open the refrigiator, turn on the oven and boil water. Or at least, that's what I imagine. Sometimes, I'm also able to hear when the N or Q train enters the 39 Av platform, which's located close to Flux. In general, noises calm me down. It makes me less restless. I like these new sounds. So after all, to be at Flux Factory feels like home. I feel more comfortable here than I did in Brooklyn.
Your text made an impression. You're not the first one to call me brave. Most of the people I have met so far, have admired the fact that I moved to New York all by myself. I didn't have any friends here to begin with or any other connection to the city besides Flux Factory. People, both friends, family members and strangers, back in Denmark have called me brave too. To be honest, I'm not sure if I consider my act as brave. I'm actually not sure how I would define the word 'brave'. But I have spend a lot of time this week trying to understand that one word.
It's funny you mention "The Ugly Duckling". That fairy tale has always been important to me. Especially as a child. I was happy back then, but still, through out my childhood, I had a constant feeling of being different, as if I came from another planet. My first friend was named Tommy and he/she was invisble. Our ways seperated when I started school, because we both thought it was for the best. In school, I tried to fit in, not because I wanted to, but because I felt I needed to. When it became too much, I would go home to my room and draw or write stories. It got easier with time. As I grew older I established new relationships, made dear friends and learned to navigate in different landscapes.
In folklore (in this case fairy tales), the characters don't try to be anything they're not. And if they go against their nature, they will fail. In reality it's different. It's easier to pretend and get away with playing a role - in short, not to be you.
I guess for me, to be brave is to have the courage to be yourself and not go against what your heart tells you. To be brave is to stand two feet tall, even when people around you want to change you, make you act a certain way, or just put you down.
To re-quote H.C. Andersen and remember his words in another context: “To be born in a duck’s nest, in a farmyard, is of no consequence to a bird, if
it is hatched from a swan’s egg.”
In that sense, I see myself as brave. And for each day that passes, New York teaches me to become even braver.
Dear Mille
SvarSletGreat to hear that you are now getting acquainted to your new environment. The sound of the train passing by is “pure music”, as John Cage will have said. Many years ago I saw a Japanese film where the background sound was the one of a passing train. Sound suitable for meditation.
Good to hear about your reactions on “being brave”. Here two of my favorite quotations:
“Expose yourself to your deepest fear; after that, fear has no power, and the fear of freedom shrinks and vanishes. You are free.”
― Jim Morrison
“I learned that courage was not the absence of fear, but the triumph over it. The brave man is not he who does not feel afraid, but he who conquers that fear.”
_ Nelson Mandela
Last week I went to “Overgade….” To see: FILMnight & lecture: CHINEMA. In continuation of his current exhibition, Stefan A. Pedersen gave a lecture on temporality and distance based on Western documentary films about China from the 1970s. During the lecture he showed extracts from, among other, Michelangelo Antonioni’s Chung Kuo – Cina (1972) and Joris Ivens & Marceline Loridan’s : Yukong déplaça les montagnes (1976). Although it was interesting to se the films and the stories about it, I did not know what was the purpose of the lecture. It was no time for questions!!!. I have experienced many times that Artists are very bad expressing themselves orally.
Last Saturday I was in World´s Culture Centre in Nørrebro, to see a film from the Usbekistian film instructor Umida Akhmedova entitled: My Mahalla. It is about Nørrebro. She visited once and she got in love with this district. It is interesting to see how people from another culture see our city. It was a great film but her talk was in Russian and the translator had many difficulties in explaining her ideas.
It was sad to hear that on January 11, 2013, Aaron Swartz was found dead in his Crown Heights, Brooklyn, apartment, where he had apparently hanged himself. Aaron H. Swartz (November 8, 1986 – January 11, 2013) was an American computer programmer, writer, archivist, political organizer, and Internet activist. Swartz focused on sociology, civic awareness and activism. In 2010 he was a member of the Harvard University Center for Ethics. He cofounded the online group Demand Progress (known for its campaign against SOPA) and later worked with US and international activist groups: Rootstrikers and Avaaz. I cooperate with him in Avaaz. On January 6, 2011, Swartz was arrested in connection with systematic downloading of academic journal articles from JSTOR, which became the subject of a federal investigation. Swartz disliked the fact that JSTOR charged to access articles but, rather than compensating the authors, JSTOR compensated publishers instead.
Sorry you are not here, because we could have go to:
DR P3 1963-2013
50 Years of State Authorised Pop Radio: A performance by Olof Olsson
Join Olof Olsson in the launch of his new performance tour, dissecting 50 years of Danish state authorized pop radio.
This January, DR P3 turns 50. Through the years, its DJs have tried all kinds of ways of sounding funky.
But – of course – not too funky.
How did this funky speech of P3 evolve? Where did it come from? What does it mean? And who is supposed to like it?
These are the kinds of questions that will be asked.
Some might even be answered. And what better place to embark on this voyage, than from within the very belly of the beast: DR's own Studio 4 in Koncerthuset.( I placed a video in your FB´s wall)
Olof is my good friend. Internationally known. He lives in Berlin but went to Art Academy in Copenhagen and study at the same time with our friends Lone and Tanja. Tanja and him were at that tame lovers.
No more news now. Enjoy life. I would like to know what you will do in in Flux in connection with your studies.
PEACE&LOVE
Victor